Joy Division’s Unknown Pleasures is always a great album to break out in the fall. Even though much of the music is played with a with a sort of menace, Martin Hannet’s production creates an eerie atmosphere. The use of space and overall feeling of the performance is just as important as the songs. You put on Unknown Pleasures and you can feel the daylight fading early: the last rays of the sun closing down over the horizon.
I always think of Bernard Sumner’s guitar on Unknown Pleasures playing as a sort of slowed down version of James Williamson’s fiery slash, best evident on Raw Power. Raw Power is of course, the sound of the apocalypse reigning down all around with Iggy front and center, reveling in the destruction and hedonism. Unknown Pleasures is the album for the aftermath.
My favorite track on the album has always been “Day of the Lords”. It’s the song that made me fully appreciate the album and believe the hype and mythology surrounding Joy Division. There’s not much structure to the song other than dissonant noise courtesy of Sumner’s controlled feedback. The sludgy feeling of the song only heightens the tension of Ian Curtis’ bloodcurdling cries of “where will end?”